• Communication commission discussion

  • Re: Humans in Dark Times

    from bazril on Mar 03, 2017 06:48 AM
    Querido Luis Alberto,
    Este mensaje que nos reenvías gentilmente es una verdadera luz en las
    tinieblas y te agradezco mucho al mismo tiempo que lo reenvío a mis listas.
    Muchas gracias mi buen amigo!
    Abrazos polares
    Azril
    _______________
    
    On Thu, Mar 2, 2017 at 7:11 PM, IRIPAZ GUATEMALA <iripaz.guatemala@...
    > wrote:
    
    > Humans in Dark Times
    >
    > [image: Imágenes integradas 1]
    >
    >
    > ​                   Writing in the late 1960s, Hannah Arendt conjured the
    > term “dark times” to
    >                    address the legacies of war and human suffering.
    >
    >
    > Arendt was not simply concerned with mapping out the totalitarian
    > conditions into which humanity had descended. She was also acutely aware of
    > the importance of individuals who challenge with integrity the abuses of
    > power in all their oppressive forms. Countering violence, she understood,
    > demands sustained intellectual engagement: We are all watchpersons, guided
    > by the lessons and cautions of centuries of unnecessary devastation.
    >
    > Over the past year, we have engaged in a series of discussions
    > <https://www.nytimes.com/series/the-stone-violence> with prominent and
    > committed intellectuals who are all concerned in various ways with
    > developing a critique of violence adequate to our times.
    >
    > Sadly, many of the warnings offered have become more pressing than ever.
    > Across the world, it is possible to witness the liberation of prejudice,
    > galvanized by the emergence of a politics of hate and division that plays
    > directly into the everyday fears of those seduced by new forms of fascism.
    >
    > The mission of The Stone is to explore issues both timely and timeless.
    > Violence is evidently such a phenomenon, demanding purposeful and
    > considered historical reflection. But here we immediately encounter a
    > problem: If fighting violence demands new forms of ethical thinking that
    > can be developed only with the luxury of time, what does this mean for the
    > present moment when history is being steered in a more dangerous direction
    > and seems to move more quickly every day?
    >
    > Perhaps one answer is that any viable critique of violence will not arrive
    > from any singular, sovereign academic who might offer reductive
    > explanations of its causes and propose orthodox solutions. Such a stance
    > leads to the domestication of thought, often in the politicized service of
    > a select few. Instead, we need to have a serious conversation among
    > thinkers, advocates, artists and others that leads to a new textual
    > borderland of open inquiry, where poetry slips into the demands for human
    > dignity and the importance of transdisciplinary conversations are not
    > simply focused on revealing the crises of contemporary political thought
    > but encourage a rethinking of what it might mean to be human in the 21st
    > century.
    >
    > With this in mind, it is useful to revisit the articles in this series to
    > draw out some of the more important common threads, insights and shared
    > concerns. While not in any way exhaustive, the various conversations we
    > have already undertaken present us with a possible framework in which to
    > begin a better discussion of the problem of violence and to imagine more
    > peaceful relations among the world’s people. So here are 11 lessons worth
    > considering:
    >
    > 1. All violence has a history. Simon Critchley began this series
    > <http://opinionator.blogs.nytimes.com/2016/03/14/the-theater-of-violence/> with
    > a powerful call to recognize our shared histories of violence and how we
    > can still make use of the past to better understand the present moment.
    > Understanding the cyclical nature of violence is crucial if we are to gain
    > a tangible grip on its contemporary manifestations and look to engage in
    > the difficult and fraught process of breaking the cycle. Violence in this
    > regard should never be thought about in the abstract. It is “a lived
    > reality,” as Critchley writes, with a very “concrete history” that is
    > wedded to that tradition we call human tragedy. Indeed, it is precisely by
    > projecting a tragic light on history that we humans are able to imagine a
    > world beyond suffering and neglect. This is why the arts are crucial to
    > developing a civic response to violence.
    >
    > 2. Violence is all about the violation of bodies and the destruction of
    > human lives. For that reason, violence should never be studied in an
    > objective and unimpassioned way. It points to a politics of the visceral
    > that cannot be divorced from our ethical and political concerns. We
    > encountered this head on in the personal testimony provided by George
    > Yancy
    > <http://opinionator.blogs.nytimes.com/2016/04/18/the-perils-of-being-a-black-philosopher/>.
    > In direct response to Yancy’s previous column on race
    > <https://opinionator.blogs.nytimes.com/2015/12/24/dear-white-america/>],
    > he received a number of violent threats, which revealed how the politics of
    > racial persecution is tied to the psychic life of violence. Violence
    > concerns the anti-intellectual conditions in which the persecution of “the
    > Other” can be normalized and become part of the everyday fabric of
    > existence. Words in this regard can literally wound a person.
    >
    >
    > 4. Violence includes the destruction of the customs, spaces and rhythms
    > that constitute a person’s life. To echo Arendt again, it is all about
    > creating a condition of “worldlessness.” As Zygmunt Bauman suggested
    > <http://www.nytimes.com/2016/05/02/opinion/the-refugee-crisis-is-humanitys-crisis.html>,
    > nowhere is this more evident than with the plight of refugees who are
    > fleeing unimaginable devastation — often the destruction of all they could
    > wish to return to. It’s true that the refugee’s plight reveals the limits
    > of other societies’ levels of compassion toward strangers. But the
    > contemporary moment shows especially clearly how vulnerable populations are
    > pitted by political opportunists against the most precarious workers in
    > their chosen destinations, so a truly toxic political condition takes hold
    > where the language of security, both physical and economic, is presented as
    > a zero-sum game that trumps humanitarian and ethical concerns. What is
    > therefore cast aside is an opportunity for reciprocal, cooperative
    > relations based on mutual vulnerability.3. For violence to take hold,
    > there is a need to suppress the memory of historical persecution. This
    > weaponization of ignorance, as Henry Giroux explains
    > <http://www.nytimes.com/2016/06/20/opinion/the-violence-of-forgetting.html>,
    > points to the violence of organized forgetting. We see this being played
    > out in the contemporary moment. Demands for a return to “greatness”
    > represent what Walter Benjamin would have identified in his “Critique of
    > Violence” as being a naked appeal to mythical violence, born of the desire
    > to create a false unity among people by actually creating the most
    > pernicious divisions. Education in this setting, as Giroux argues, is
    > precisely where effective counterterror strategies begin. Education is
    > always a form of political intervention, which at its best produces
    > critically minded individuals who have the courage to speak truth to power
    > and stand alongside the globally oppressed, because they remember violence
    > that the oppressors would prefer to forget.
    >
    > 5. The overt politicization of violence can render certain forms of it
    > rational and tolerable for public consumption. As Gayatri Chakravorty
    > Spivak suggested
    > <http://www.nytimes.com/2016/07/13/opinion/when-law-is-not-justice.html>,
    > none of this is divorced from identity politics. Violence, in fact, can
    > consist of demeaning processes intended to disqualify lives and ways of
    > living from deserving safety and rights. It marks out some as being
    > naturally inferior, disposable and expendable. It is also often the case
    > that violence can take place within legal frameworks, which rather than
    > protecting rights, allow for the legalization of all manner of overt or
    > systemic aggressions in the name of order. This demands a better
    > understanding of what we mean by justice, especially as we try to protect
    > the fragile organism of democracy.
    >
    > 6. Addressing violence, then, requires rethinking what constitutes a
    > crime against humanity. Since the human is necessarily dependent upon
    > thriving environmental conditions for a sustainable existence, the problem
    > of violence also points us toward an entire ecology of thought. This issue
    > was directly addressed by Adrian Parr
    > <http://www.nytimes.com/2016/05/18/opinion/our-crime-against-the-planet-and-ourselves.html>,
    > who foregrounded the importance of the planetary biosphere, and demanded a
    > new appreciation of shared responsibility for our life-supporting
    > environmental conditions. She also posed the question of what a crime
    > against humanity actually means in such a context. It turns out, there are
    > many ways in which damage to the environment rises to that level. This type
    > of violence presents profound existential questions about what it means to
    > be human and the ontological crimes (i.e., a crime against the human as
    > such) some of us wage against ourselves.
    >
    > 7. Violence is not simply carried out by irrational monsters. Sadly, most
    > violence is not exceptional or deviant. As Arendt famously noted, people
    > following orders in a thoughtless and banal way often carry it out. And as
    > Simona Forti argued in this series
    > <http://www.nytimes.com/2016/09/17/opinion/who-is-evil-and-who-is-the-victim.html>,
    > modern violence cannot simply be explained in terms of the negation of life
    > or a subconscious, Freudian death drive. It has proved, time and time
    > again, to be integral to civilizations’ conceptual claims to truth,
    > harnessing the discursive power of human progress, while appealing to
    > security and order and even taking place in the name of freedom and
    > justice. Such violence often blurs clear distinctions between what is right
    > and wrong. In fact, the tendency to justify or condemn violence by drawing
    > upon absolutist terms such as good or evil masks more complex relations and
    > avoids difficult but necessary questions about our shameful compromises.
    >
    > 8. Violence brings us directly into ethical relations. We see this most
    > fully today, as Cary Wolfe suggested
    > <http://www.nytimes.com/2017/01/09/opinion/is-humanism-really-humane.html>,
    > in the intellectual moves toward post-humanism and the bestowing of rights
    > both to humans and to other animals. The key here is to identify and
    > disrupt forms of ethical hierarchy, which allow violence to be committed
    > upon a given animal, human or otherwise, as it is naturalized by
    > authenticating frameworks of biological designation. So a viable critique
    > of violence asks which life-forms the dominant ideology decrees can be
    > killed and which forms of life are to be protected within this
    > far-from-natural order of things. Fighting this requires addressing the
    > biological and racial taxonomies that allow killings to happen without a
    > crime being committed. This is a question of consciousness as much as
    > anything else.
    >
    > 9. Violence begins in the minds of people, and mostly men. As such, the
    > problem will remain poorly understood if it is accounted for only in terms
    > of how and what it kills, the scale of its destructiveness or any other
    > quantitative measure. As Richard Bernstein argued
    > <http://www.nytimes.com/2017/01/26/opinion/the-intellectual-life-of-violence.html>,
    > while we must not lose sight of the fact that violence concerns the
    > violation of human lives, it can also include an attack on people’s
    > dignity, their belief systems and the very intellectual conditions of a
    > credible social order. Understanding the intellectual life of violence is
    > therefore crucial if we are to develop the necessary intellectual tools
    > that are capable of breaking the chains of violence. Indeed, if nihilistic
    > forms of violence are the work of a reactionary mind, part of what’s
    > required is overcoming passivity in thought.
    >
    > 10. Despite the tragic nature of the human condition, there is resistance
    > to violence everywhere. The problem, however, is to convey the power of
    > that resistance, or the barbarity of the violence it faces, in a way that
    > galvanizes action rather than abets the status quo. As Nicholas Mirzoeff
    > explained
    > <http://www.nytimes.com/2016/08/03/opinion/what-protest-looks-like.html>,
    > media saturation is such that even the most intolerable forms of violence
    > today barely have an impact on the public consciousness. And when they do,
    > it is often presented in a way that justifies state violence vis-à-vis
    > those oppressed minorities on the wrong side of history or glorifies
    > individual over mass suffering. Central here is to understand the power of
    > the image and the aesthetic mediation of suffering across many different
    > media. It’s not simply sufficient to draw attention to violence. What’s
    > required is a much more affirmative understanding of resistance, which is
    > capable of producing an alterative and creative image of thought to the
    > ones that continue to annihilate people on a daily basis.
    >
    > 11. To that end, as Bracha Ettinger explained
    > <http://www.nytimes.com/2016/12/16/opinion/art-in-a-time-of-atrocity.html>,
    > there is a world to be gained by recognizing the humanity of the arts. Art
    > is the ethical space where we encounter the pain of others and truly
    > reflect on its significance to a shared human community. Art is a direct
    > and imaginative response to the traumas of suffering. It refuses an image
    > of the world that is presented to us as catastrophically fated. Art thus
    > places itself on the side of life, as it directly resists the rituals of
    > death and destruction. Indeed, as we confront more and more devastating
    > spectacles of violence on a daily basis, it is with the arts that we truly
    > enter into those most precious and fragile of ethical bonds that foreground
    > the importance of love, compassion and human togetherness.
    >
    > Humanity is undoubtedly at a dangerous crossroads. We are being forced to
    > ask whether we have the ethical fortitude to save ourselves from our own
    > veritable extinction. The previous year has certainly been challenging in
    > the search for answers. As the world said goodbye to some of the best of
    > us, it also witnessed the resurgence from the shadows of new forces of
    > hatred and repressed anger and rage. But let us not forget, the future is
    > yet to be decided. Now more than ever, we need to find reasons to believe
    > in this world, for it is the only world we have. So as we look toward the
    > future, let’s acknowledge the downtrodden who refuse to accept the
    > oppressive weight of history, the writers who bring tears to our eyes, the
    > artists who resist the graying of existence, the poets who dare to write
    > about a love that cannot be put into words, the musicians who rock our
    > souls and the children who are never defeated by the limits of present.
    > Brad Evans, a reader in political violence at the University of Bristol in
    > England, is the founder and director of the Histories of Violence
    > <http://www.historiesofviolence.com/> project (@histofviolence
    > <http://twitter.com/histofviolence>), dedicated to critiquing the problem
    > of violence in the 21st century. He is an author of “Disposable Futures:
    > The Seduction of Violence in the Age of Spectacle
    > <http://www.citylights.com/book/?GCOI=87286100745010>,” with Henry A.
    > Giroux, and “Resilient Life: The Art of Living Dangerously
    > <https://www.polity.co.uk/book.asp?ref=9780745671529>,” with Julian Reid
    > *.*​
    >
    >
    >
    > --
    > --
    > *IRIPAZ*
    > Instituto de Relaciones Internacionales e Investigaciones para la Paz
    > www.iripaz.org
    >